Posts tagged ‘fear’

04/24/2013

Acrocephaly

by Pierce Nahigyan

He was called the Egghead in the circus. My father took me to him holding my hand in the circus’s freakshow, knowing that if he did not hold on I would run. Clowns did not frighten me, and I was fond of lions and tigers and elephants, and the carnies taking tickets seemed like friendly villagers from a fairy tale. But there was something about the bearded lady that unnerved my five-year-old mind, a distinct, innate sensitivity to the flip-flopped reality under the dirty crimson tent of the gallery of the weird. The bearded lady was stationed at the entrance, her two hundred pounds of flesh gathered in rolls beneath an ill-used sequined dress. She winked at me as we approached and let out a bawdy guffaw.

I tried to run, but my father held me fast. “Now, now,” he said. “It’s only a show, you little monkey.”

“Did you call him monkey?” the bearded lady asked. Her voice had been coarsened by years of circus smoke. She sped up the process by producing a cigarette and screwing it into a thin black holder. She smoked and leered like a nightmare portrait of FDR. “We have room for more monkeys in the back!”

My father laughed and ushered me inside. “Hear that?” he said. “Monkeys in the back.”

“I don’t want to-” I started. My father hushed me fast. We entered the gallery and the cages of its subnormal features.

I hid my face behind my hands as the geek bit the head off a chicken. There was a beautiful woman with a face like my mother, long brown hair and gray eyes, with the body of a snake and vestigial hands drooping from her sides. I didn’t scream because I was afraid all the bars were for show and they would come for me if they knew my father didn’t care. For all I knew if I screamed my father would just laugh and toss me away. So I stayed silent, even when the snake woman asked me my name.

The Egghead was what my father wanted to see. He had some fascination with the man. He was near the end of the gallery, dressed up like a Victorian gentleman, his cage decorated with a grandfather clock and persian carpet, and a bookshelf stuffed with books. The shape of that bookshelf disturbed me. It had been cobbled together from old boards, likely whatever they had lying around the grounds, painted with a single blue coat of paint that didn’t match the fraudulent decor or the crimson tent. The books looked like phone books turned with their pages out. As a child that was strikingly surreal; I knew, even then, how books were meant to sit on a shelf; I knew, too, that men and women didn’t live in cages but that somehow offended me less than the dirtied white pages hung over the planks.

Without looking at us the Egghead adjusted his large round glasses, set too close for his wide little eyes, and removed his top hat. He set it on a table beside his elbow. His smooth bald head rose to a point, a naked acrocephaly for me and my father to ogle. My father laughed.

That laugh remains my ugliest memory.

01/18/2013

Acedia

by Pierce Nahigyan

The curtain covers were fine white silk. The curtains could be drawn back and the covers closed over the window to let in the sunlight. White light, warm light, glimpsed in the thin silk sheet as a pale column. It was a good place to meditate. So Marc opened the window, and pulled the curtain covers, and sat in the light, posture erect, hands clasped over his knees.

The busy sounds of Shibuya entered the hotel room. The hotel room was crisp and neat, sparsely furnished, lots of right angles, the way he liked. The Shibuya sounds met the right angles and the freshly vacuumed carpet and swirled like a gathering stormfront. And he, in its eye, drew into himself.

Long had he served the Takahashi-kai, on the surface an awkward gaijin not worth a second glance, and inside, their tool to wield in the dark places. He meditated now on the business he would carry out in two hours’ time, the sheathe and the knife. His mind became the sheathe for the will that would animate his muscles. This solid flesh in the moment was given over to a higher power, an unthinking one, a place he came to in his meditations.

Ennui is an existential complaint, he thought, sometimes a French one. It is a type of boredom arising from wasted talent or no excitement at all. Ennui is a suspicion that can be deferred by entertainment. Ennui is the mask of acedia. All men held in their hearts, like a thorn in the skin of the arterial wall, a fear that no material act matters, no imprint will outlast this lifetime. Acedia is the unbeliever’s capitulation. The Takahashi-kai had baptized him in fire, so that no sloth ever entered his bones, no day was without its lightning, no hour ever challenged his devotion to that greater salvation. He chose gokudo, the ultimate path. He was his talent, and never wasted, spiritually pure. A deadly living thing.

01/07/2013

Accuracy

by Pierce Nahigyan

You give things away as you age. One of my personal sacrifices was the belief that I would be understood (a better way to say it is exist) perfectly for anyone other than myself. It is a vain tenet but one primarily held by the young. And I am not really young anymore, and losing faith. So I have modified my faith, and adapted it to the life I lead, that life that is flexible, that is pliant, that is seldom steadfast. But that faith, shaken by the accrued circumspections that have recoiled without enough enemies to blame (the young can make enemies of anyone), survives only with fewer sacraments. What I sacrificed was my reproduction in full.

I am unknown even to myself in full, and it is a humble, domesticated sort of hubris that denies this. A patch of perfume stained drapery pulled from the corner of a closet unlocks rich memories previously dissolved in banal daily rituals. A forgotten lover’s smile and kiss and wrinkled knuckles awakes. Where was that? Where does it live when I am at my desk, sleeping, mining aisle 13 of the grocery store? A surface street taken amidst the freeway’s rush hour is suddenly recalled the moment the green arrow directs me under the offramp. And I wondered, before this excision, how someone I speak to can know me, someone I have loved, sang to, held, been sneezed on, might contain my soul entire.

Is the disappointment the fear that we have not been heard or that love’s binding cannot assuage our inadequacies? Would that we could know one another with total accuracy, but I believe there would be little room left for whatever cares for the imperfect creatures that we are. Some mystery is good, I suppose. The not knowing is a lifelong ailment; allowing it to be the silent ache we stop concerning ourselves with is the rudiment of graceful aging. Those small things we do remember about one another become bright trinkets, unto the day only one of us remains to polish them. So many years gone by and stories told and the stories are what remain. Your grave and the ground we purchased for it cannot belong to either of us in the end. How will we remember we are both owners of this mossy plot?

It won’t be long till I forget grace, and my name. Yours I have not given away yet.

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